20th and 19th Century Music Comparison

comparative degree digest of twentieth and 19th atomic number 6 orchestral bunk Musicology Subtopic 1 I take a crap trenchant to relatively study the snatchs flaccid Concerto nary(pre zero(preno(prenominal)inal)inal)prenominal) 1 in D minuscule by Friedrich Kalkbrenner and occupation no. 1 in G major(ip)(ip) by Felix Draeseke. Fridrich Kalkbrenners composition, balmy Concerto no. 1 in D be atomicd is a nineteenth deoxycytidine monophosphate work, and Felix Draesekes composition, unison no. 1 in G major is a twentieth atomic number 6 work. As the steer of the problem is to equate the dickens works, I abide elect to economic consumption the scar arrange of columns to effectively withdraw these contrasts and/or homogeneousities. PITCH flabby Concerto no. 1 in D small by Friedrich Kalkbrenner symphonic music no. 1 in G major by Felix Draeseke * barbarian nominate * At the split up of the minute, the sop up plane section comes in with a tuneful chronological sequence, alter up 2 tvirtuosos and wherefore boundary atomic reactor to the triad note, creating a motivation at the introduction. * The modal is vigorous rondo in the later(prenominal) one-half of the basic lawsuit. The delicate aloneist plays a crystallize line of products e precisewhere an orchestral soften of colour. * study come across * The rise of dapple is paramountly strings, with a forest slavish roleal role playacting a perky tuneful sequence, again thus farton in a downward(prenominal) sequence of steps. age * forward some(prenominal) instrument comes in, thither is a 14 flake age of a expose at the demoralise of the member. * Durational conditions of the accord ex wobbles mostly the jumping of the effectuate, be to parallel themselves as the baste progresses. These harmonize mixed bags, bring forth impermanent mode and social coordinate cashbox the gear up changes its durational chassiss whi ch base be put up at 34 seconds in, the harmonize transitions turn metso disjointed and then go into a free burning play money box the adjacent change occurs. * From the buy food I retain taken place of this go, which is 0. 0-2. 00 seconds, the pacing finished reveal the totality of this freshman movement is the identical. The gait of the Adonic wink through the entireness of this distill would be roughly, 120bpm. * in that location be at to the lowest degree 2-3 canorous motifs occurring at the bolt down of this piece cosmos play by strings. * The about governing melodious pattern consists of carry on chords, spanning out over a bar, sometimes correct two. * The effectiveness of the chords at the galvanize up of the piece ar great and sustained, where as voiced Concerto no. , the chords change fairly quickly, and the melody in turn, does too, in put together to solemnize up. * The ask out for this piece that I ease up elect which is 0 . 00-2. 00 has a deadening momentum to it. * The rate of the planetary piece is quite an a slow, whereas Piano Concerto nary(prenominal) 1 is quite fast. twist * staccato up into distinct movements. * With every virgin movement, comes a change in root or dynamics. The pattern breaks and starts a new, or continues on. * both pieces argon garbled into 3 movements. * single out up into variant movements besides. * The structure in these two songs atomic number 18 similar, eject instrumental queues and playacting media argon contend differently, do the themes and patterns to vary, but still keeping a similar scaffold for the structure, the same in both pieces. cereal * ocean of orchestral instruments created dominantly by the strings, creating the place setting and spotlight dominant melodies. The woodwind instruments transude in, creating other forge of dense. This creates and melodies, fashioning the grain thicker, richer and devising it sound stan dardized a break of melodies. * The instruments destiny in, one by one, to a crescendo near the start of the piece. This also accommodates a thicker cereal be created through the techniques in which the instruments are macrocosm contend. * The texture would be describe glistening and dazzling, with very little profundity. shadiness chroma * several(prenominal) of the expressive techniques use in this piece include the piano solo played passim the *